During my career, I have circumscribed my profession to the practice of drawing and painting on traditional supports, paper or canvas. This exercise is no different, except that now I intervene, with the stroke and the colour, black and white photos, moments captured by the camera over 25 years of Taller Ditoria.
Fugue of figuration to return to painting's primary elements: the colour, the line, the light.
Paralelismos Plásticos en México / Cuatro Décadas en la Colección BBVA Bancomer (1960-1990)
La Ciudad de México en el Arte / Travesía de Ocho Siglos
We are anomalies within a constructive process halted or verified within a picture.
Payment in Kind Collection of the Tax Administration Service-Secretariat of Finance and Public Credit Mexico | Colección Pago en Especie SAT-SHCP
Radicales Libres / Vlady y el Exilio Español
Payment in Kind Collection of the Tax Administration Service-Secretariat of Finance and Public Credit Mexico | Colección Pago en Especie SAT-SHCP
Mexico Circa 2000 / José Pinto Mazal Collection
Constant / The New Babylon
Detaches from the strict figuration and articulate an indeterminate and suggestive image.
Selected Works: Amparo Museum
Orozco desde el Siglo XXI (Pintura y Verdad, 2008-2010)
Las Américas Latinas / Las Fatigas del Querer
Taller Ditoria / Gráfica - Roberto Rébora / Retratos de Autores
Tintas y Acuarelas de los Primeros Años
Degradation of Eros:
the human figure, a metaphor of a collective feeling.
39° Intl. Fair for Modern & Contemporary Art (Cologne, Germany)
2ª Feria Internacional de Arte Zona Maco (Mexico City)
24ª Feria Internacional de Arte Contemporáneo (Madrid, Spain)
Voraz Fuego Ebrio / Pintura Contemporánea de México
Centro de las Artes (Monterrey, Nuevo León)
Museo de las Artes of the UdeG (Guadalajara, Jalisco)
Propuestas Cardinales como Preludio del Siglo XXI
Europäische Bildungsuniversität (Meran, Italy)
Voto Lineal / Pintura y Dibujo 1993-2000
Apuntes para una Colección del Siglo XXI (Nuevas adquisiciones de obra de arte)
El Cuerpo Aludido / Anatomías y Construcciones / México, Siglos XVI-XX
Chromatic vibrations and dynamism of a framework achieved through extensive experimentation with painting.
Form and Function in Contemporary Drawing
Representation and painting: emergence of experience and modes of presence of a subject.
National homage to mark the 300th anniversary of the death of Sor Juana Inés de la Cruz
Antiguo Colegio de San Ildefonso (Mexico City)
Jalisco: Genio y Maestría / Dos Siglos de Pintura
Representation and painting: emergence of experience and modes of presence of a subject.
Caricature: cornerstone of the graphic sense in drawing and painting.
Museo de Arte Carrillo Gil (Mexico City)
Images of the Conquest, Warriors and Enemies, and Trapped Figures.
During my career, I have circumscribed my profession to the practice of drawing and painting on traditional supports, paper or canvas. This exercise is no different, except that now I intervene, with the stroke and the colour, black and white photos, moments captured by the camera over 25 years of Taller Ditoria.
Fugue of figuration to return to painting's primary elements: the colour, the line, the light.
Paralelismos Plásticos en México / Cuatro Décadas en la Colección BBVA Bancomer (1960-1990)
La Ciudad de México en el Arte / Travesía de Ocho Siglos
We are anomalies within a constructive process halted or verified within a picture.
Payment in Kind Collection of the Tax Administration Service-Secretariat of Finance and Public Credit Mexico | Colección Pago en Especie SAT-SHCP
Radicales Libres / Vlady y el Exilio Español
Payment in Kind Collection of the Tax Administration Service-Secretariat of Finance and Public Credit Mexico | Colección Pago en Especie SAT-SHCP
Mexico Circa 2000 / José Pinto Mazal Collection
Constant / The New Babylon
Detaches from the strict figuration and articulate an indeterminate and suggestive image.
Selected Works: Amparo Museum
Orozco desde el Siglo XXI (Pintura y Verdad, 2008-2010)
Las Américas Latinas / Las Fatigas del Querer
Taller Ditoria / Gráfica - Roberto Rébora / Retratos de Autores
Tintas y Acuarelas de los Primeros Años
Degradation of Eros:
the human figure, a metaphor of a collective feeling.
39° Intl. Fair for Modern & Contemporary Art (Cologne, Germany)
2ª Feria Internacional de Arte Zona Maco (Mexico City)
24ª Feria Internacional de Arte Contemporáneo (Madrid, Spain)
Voraz Fuego Ebrio / Pintura Contemporánea de México
Centro de las Artes (Monterrey, Nuevo León)
Museo de las Artes of the UdeG (Guadalajara, Jalisco)
Propuestas Cardinales como Preludio del Siglo XXI
Europäische Bildungsuniversität (Meran, Italy)
Voto Lineal / Pintura y Dibujo 1993-2000
Apuntes para una Colección del Siglo XXI (Nuevas adquisiciones de obra de arte)
El Cuerpo Aludido / Anatomías y Construcciones / México, Siglos XVI-XX
Chromatic vibrations and dynamism of a framework achieved through extensive experimentation with painting.
Form and Function in Contemporary Drawing
Representation and painting: emergence of experience and modes of presence of a subject.
National homage to mark the 300th anniversary of the death of Sor Juana Inés de la Cruz
Antiguo Colegio de San Ildefonso (Mexico City)
Jalisco: Genio y Maestría / Dos Siglos de Pintura
Representation and painting: emergence of experience and modes of presence of a subject.
Caricature: cornerstone of the graphic sense in drawing and painting.
Museo de Arte Carrillo Gil (Mexico City)
Images of the Conquest, Warriors and Enemies, and Trapped Figures.
During my career, I have circumscribed my profession to the practice of drawing and painting on traditional supports, paper or canvas. This exercise is no different, except that now I intervene, with the stroke and the colour, black and white photos, moments captured by the camera over 25 years of Taller Ditoria.
Fugue of figuration to return to painting's primary elements: the colour, the line, the light.
Paralelismos Plásticos en México / Cuatro Décadas en la Colección BBVA Bancomer (1960-1990)
La Ciudad de México en el Arte / Travesía de Ocho Siglos
We are anomalies within a constructive process halted or verified within a picture.
Payment in Kind Collection of the Tax Administration Service-Secretariat of Finance and Public Credit Mexico | Colección Pago en Especie SAT-SHCP
Radicales Libres / Vlady y el Exilio Español
Payment in Kind Collection of the Tax Administration Service-Secretariat of Finance and Public Credit Mexico | Colección Pago en Especie SAT-SHCP
Mexico Circa 2000 / José Pinto Mazal Collection
Constant / The New Babylon
Detaches from the strict figuration and articulate an indeterminate and suggestive image.
Selected Works: Amparo Museum
Orozco desde el Siglo XXI (Pintura y Verdad, 2008-2010)
Las Américas Latinas / Las Fatigas del Querer
Taller Ditoria / Gráfica - Roberto Rébora / Retratos de Autores
Tintas y Acuarelas de los Primeros Años
Degradation of Eros:
the human figure, a metaphor of a collective feeling.
39° Intl. Fair for Modern & Contemporary Art (Cologne, Germany)
2ª Feria Internacional de Arte Zona Maco (Mexico City)
24ª Feria Internacional de Arte Contemporáneo (Madrid, Spain)
Voraz Fuego Ebrio / Pintura Contemporánea de México
Centro de las Artes (Monterrey, Nuevo León)
Museo de las Artes of the UdeG (Guadalajara, Jalisco)
Propuestas Cardinales como Preludio del Siglo XXI
Europäische Bildungsuniversität (Meran, Italy)
Voto Lineal / Pintura y Dibujo 1993-2000
Apuntes para una Colección del Siglo XXI (Nuevas adquisiciones de obra de arte)
El Cuerpo Aludido / Anatomías y Construcciones / México, Siglos XVI-XX
Chromatic vibrations and dynamism of a framework achieved through extensive experimentation with painting.
Form and Function in Contemporary Drawing
Representation and painting: emergence of experience and modes of presence of a subject.
National homage to mark the 300th anniversary of the death of Sor Juana Inés de la Cruz
Antiguo Colegio de San Ildefonso (Mexico City)
Jalisco: Genio y Maestría / Dos Siglos de Pintura
Representation and painting: emergence of experience and modes of presence of a subject.
Caricature: cornerstone of the graphic sense in drawing and painting.
Museo de Arte Carrillo Gil (Mexico City)
Images of the Conquest, Warriors and Enemies, and Trapped Figures.